![]() ![]() Transfer characteristics : BT.470 System M My question is, how can I fix this, how can I make Vegas do the same thing? Can I change the way it handles h.264? Can I install a better decoder?Ĭomplete name : C:\Users\Cosmin\Desktop\DSC_0865.MOV Please trust me, it has no significant bearing on the blocky-ness of the red channel. The small differences in color are due to small differences in grading, as I always shoot flat, and I didn’t bother to replicate exactly the same look. ![]() I had to see it to believe it.Ĭrop of a rendered frame from Sony Vegas 12 (13 does the same), on BEST settings.Ĭrop of a rendered frame from Adobe After Effects CC 2014 Until I tried yesterday to import some of my Nikon footage in After Effects CC 2014, after I read on a forum about “Adobe’s relatively new proper h.264 decoder”. My Nikon records 4:2:0 AVCHD, and I always blamed the blocky red color present in my footage on that. I get much nicer images, but the moire and the chroma subsampling have continued to be a problem. I have a Nikon D7000, to which I applied the 64mbps hack. ![]()
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